{"id":10994,"date":"2024-03-14T03:49:37","date_gmt":"2024-03-14T03:49:37","guid":{"rendered":"https:\/\/cryptosphere.one\/?p=10994"},"modified":"2024-03-14T03:49:37","modified_gmt":"2024-03-14T03:49:37","slug":"len-sirowitz-whose-bold-offbeat-ads-captured-an-era-dies-at-91","status":"publish","type":"post","link":"https:\/\/cryptosphere.one\/2024\/03\/14\/len-sirowitz-whose-bold-offbeat-ads-captured-an-era-dies-at-91\/","title":{"rendered":"Len Sirowitz, Whose Bold, Offbeat Ads Captured an Era, Dies at 91"},"content":{"rendered":"
Len Sirowitz, an award-winning advertising art director whose creative work in the 1960s included memorable print ads for the Volkswagen Beetle \u2014 like one declaring, \u201cUgly is only skin-deep\u201d \u2014 and a campaign for Mobil in which a car was dropped off a 10-story building to make a point about the perils of speeding, died on March 4 at his home in Manhattan. He was 91.<\/p>\n
His daughter, Laura Sirowitz, confirmed the death.<\/p>\n
Mr. Sirowitz joined the influential Doyle Dane Bernbach advertising agency, known as DDB, in 1959, at 27, and spent the next 11 years at the firm conceiving the look of ads for numerous accounts with wit and passion.<\/p>\n
\u201c<\/em>It was quite early in my career that I began to realize that my message needed to not only be bold and daring, but it must stem from the truth \u2026 and touch people\u2019s emotions,\u201d he told Dave Dye, who runs the advertising blog From the Loft<\/a>, in 2015.<\/p>\n<\/div>\n<\/div>\n Volkswagen was perhaps Mr. Sirowitz\u2019s most important account, and the homely Beetle, nicknamed the \u201cBug,\u201d was his and copywriter Robert Levenson\u2019s automotive muse. Their collaborations for the German car maker included the ad \u201cWill We Ever Kill the Bug?\u201d in which they positioned a Beetle turned on its roof, like a dead bug. The answer to the question: \u201cNever.\u201d (Though, after a few shots of the car, its roof collapsed.)<\/p>\n<\/div>\n<\/div>\n The pair also devised an ad that showed a motley Beetle constructed of green and beige fenders, a blue hood and a turquoise door, which were cobbled together from models between 1958 and 1964. The ad stressed the ease with which owners could find parts.<\/p>\n<\/div>\n<\/div>\n For Sara Lee, Mr. Sirowitz and Mr. Levenson created a TV commercial in which people dealt with annoyances like haircuts and traffic jams, then consoled themselves with a piece of the company\u2019s cake, introducing a soon-to-be enduring jingle: \u201cEverybody doesn\u2019t like something \/ But nobody doesn\u2019t like Sara Lee.\u201d<\/p>\n For Mobil\u2019s public service newspaper and TV ads about highway safety, Mr. Sirowitz illustrated how crashing at 60 miles per hour would have the same impact as a car dropping from 10 stories. \u201cAnd it will get you to exactly the same place \u2014 the morgue,\u201d the narrator said.<\/p>\n<\/div>\n<\/div>\n Another TV ad for Mobil showed a couple canoodling in a car as the man drives against the blinding lights of oncoming traffic, eventually leading to a crash. A narrator says: \u201cWe at Mobil sell gasoline and oil. We\u2019re in favor of driving and love, but not at the same time.\u201d<\/p>\n<\/div>\n<\/div>\n And for the Better Vision Institute, an association of lens and frame manufacturers, Mr. Sirowitz produced dozens of promotions that ran in Life magazine persuading people to have their eyes examined more often. One particularly dramatic ad ran in all-black with copy by Leon Meadows reading, \u201cThis is how yellow daisies in a green pasture against a blue sky look to many Americans.\u201d<\/p>\n